Virtual Roundtable: TRINITY & ARTEMIS - Session 2
For the one-year anniversary of TRINITY 2 and ARTEMIS 2, we hosted two Virtual Roundtables. We invited expert operators to talk about the stabilizers and share their experiences.
For more information on TRINITY 2 and ARTEMIS 2, visit our website: https://www.arri.com/trinity2_artemis2
00:00 Welcome
01:12 Product Manager Curt Schaller giving an intro to the stabilizers
03:17 Fares Corbani on TRINITY Gen.1 and its capabilities (incl. BTS: Skoda car commercial)
06:05 Fares Corbani on working with famous talents and limited shooting time (incl. BTS: commercial with Kevin Hart)
07:55 Fares Corbani on working in challenging environments (incl. BTS: commercial in mountains)
12:40 Fares Corbani on combining TRINITY with wheels (Digital Remote Wheels DRW-1) (incl. BTS images)
22:00 Ari Robbins on one-takers and long shots (incl. BTS: “Bardo”)
22:52 Ari Robbins on the difference between TRINITY Gen.1 and TRINITY 2 and presets
26:00 Ari Robbins on mixing ARTEMIS 2 and TRINITY 2 components
29:42 Ari Robbins on car commercials and going through windows
34:02 Junior Lucano on his TRINITY work for a feature film (incl. BTS: “The Sacrifice” showing switch from low to high mode)
38:30 Junior Lucano on walking upstairs with TRINITY (incl. BTS: “The Sacrifice”)
40:00 Mark Goellnicht on how he started with TRINITY on feature films and the possibilities for new shots
50:16 Which (larger) cameras can you combine with the TRINITY?
57:56 Sean Flannery on TRINITY in broadcast productions (incl. BTS: Grammy Rehearsal)
1:01:15 Sean Flannery on the Superbowl Halftime Show and the 360° rotation (incl. BTS)
01:04:22 Sean Flannery on presets and programming moves
01:07:04 Sean Flannery and shooting in the desert and with the Super Post (incl. BTS images: Fenty commercial)
01:10:20 Curt Schaller on upcoming brackets suitable for broadcast setups
01:12:09 Can you program several moves/profiles in the presets?
01:19:12 Using Sony P1 cameras with the TRINITY 2 and controlling the lens
01:27:13 Collaboration between TRINITY operator and focus puller
01:27:49 Sean Flannery on controlling roll and tilt during Superbowl Halftime Show
01:30:31 Do the operators watch the head/lens or the monitor when operating?
01:32:20 Which antennas should be used to avoid them hitting the TRINITY head?
